Hadrah Spirit as an Islamic Arts in the Land of Papua

Authors

  • Nur Saidah Islamic State University of Sunan Kalijaga Yogyakarta
  • Septy Nur Fadhilah Islamic State University of Sunan Kalijaga Yogyakarta

DOI:

https://doi.org/10.30829/juspi.v6i2.13907

Keywords:

Islamic Civilization, Islam in the Land of Papua, Islamic Arts, Hadrah Arts.

Abstract

The Land of Papua is synonymous with a non-Muslim population, and it is not uncommon for some people to think that there is no Muslim community in Papua. This assumption is increasingly supported by the inauguration of the capital city of West Papua, Manokwari as a city of the Bible. But on the contrary, the fact is that Islam entered the land of Papua since 1512, even before the entry of other religions. Therefore, in this study research will be conducted regarding the popularity of hadrah art as an Islamic art in Papua which can be used as evidence of the rapid development of Islamic civilization in Papua today. The method used in this research is a qualitative approach. In collecting data using direct observation in the field, survey media in the form of questionnaires and by using literature studies on previous research. From the research results obtained, it can be concluded that the existence of hadrah arts in Papua, especially the city of Manokwari is currently very popular, this is indicated by the many hadrah competitions and festivals being held, the many sholawat majlis which involve hadrah music as accompaniment to the Prophet's sholawat verses, and even the existence of hadrah as an extracurricular activity in educational institutions. The presence of this research is expected to increase one's knowledge of the development of Islam in the land of Papua, one of which is in the field of hadrah art as an Islamic art.

References

Afdoli, M. R., Amin, E., & Ratnasari, W. P. (2022). Metode Dakwah Ustadz Fadzlan Garamatan Pada Masyarakat Nuu Waar (Papua). Alamtara: Journal of Islamic Communication and Broadcasting, 6(1), 27-44.

Al Hamid, I. (2020). ISLAM, LOCAL "STRONGMEN", AND MULTI-TRACK DIPLOMACIES IN BUILDING RELIGIOUS HARMONY IN PAPUA. JOURNAL OF INDONESIAN ISLAM, 14(1), 113. https://doi.org/10.15642/JIIS.2020.14.1.113-138

Anakotta, R. (2018). AKULTURASI KEMUHAMMADIYAHAN DAN BUDAYA PAPUA BARAT (STUDI TENTANG PERILAKU SOSIAL DAN KEAGAMAAN MASYARAKAT ISLAM DI PAPUA). Sejarah Dan Budaya: Jurnal Sejarah, Budaya, Dan Pengajarannya, 12(2), 166-172. https://doi.org/http://dx.doi.org/10.17977/um020v12i22017p166

Anakotta, R., Alman, A., & Solehun, S. (2019). AKULTURASI MASYARAKAT LOKAL DAN PENDATANG DI PAPUA BARAT. Jurnal Antropologi: Isu-Isu Sosial Budaya, 21(1), 29. https://doi.org/10.25077/jantro.v21.n1.p29-37.2019

Arif, M., & Nisa, J. (2018). Commodification of Religion in Hadrah Kuntulan Art Banyuwangi. SOCIO-DIDAKTIKA: Social Science Education Journal, 1(1), 54-63. https://doi.org/10.15408/sd.v1i1.9711

Hafniati. (2021). DAKWAH MELALUI BUDAYA: Metode dan Media Dakwah Ustadz Fadzlan Garamatan di Papua. Universitas Islam Negeri Syarif Hidayatullah Jakarta.

Hayuningtyas, A. R. (2018). HADRAH SEBAGAI MEDIA DAKWAH DALAM MENINGKATKAN SEMANGAT AKTIVITAS KEAGAMAAN REMAJA DESA SIDODADI KECAMATAN PARDASUKA PRINGSEWU. Universitas Islam Negeri Raden Intan Lampung.

Junaidi. (2015). Estetika Terbang Hadroh Nuurussa'adah Desa Kalisapu Kecamatan Slawi Kabupaten Tegal. Catharsis, 4(1), 32-38.

Karmela, S. H., & Yanto, F. (2021). Pengenalan Seni Musik Tradisional Melayu Jambi Kompangan dan Hadrah Untuk Menumbuhkan Kepedulian Budaya Lokal. TRANSFORMASI : JURNAL PENGABDIAN PADA MASYARAKAT, 1(2), 66. https://doi.org/10.31764/transformasi.v1i2.5466

Mahmud, M. I. (2012). PENGARUH PERADABAN ISLAM DI PAPUA. Papua: Jurnal Penelitian Arkeologi, 4(2), 27-41. https://doi.org/https://doi.org/10.24832/papua.v4i2.65

Nursyahida, A. M., & Wardana, A. (2020). Makna dan Nilai Spiritual Musik Hadrah pada Komunitas Hadrah El-Maqoshid. DIMENSIA: Jurnal Kajian Sosiologi, 9(1), 26-36. https://doi.org/10.21831/dimensia.v9i1.38927

Rumansara, E. H. (2015). MEMAHAMI KEBUDAYAAN LOKAL PAPUA : SUATU PENDEKATAN PEMBANGUNAN YANG MANUSIAWI DI TANAH PAPUA. Jurnal Ekologi Birokrasi, 1(1), 47-58. https://doi.org/https://doi.org/10.31957/jeb.v1i1.491

Salim, & Syahrum. (2012). Metodologi Penelitian Kualitatif. Bandung: Cipta Pustaka Media.

Santosa, S. (2018). Penanaman Nilai-Nilai Karakter Melalui Ekstrakurikuler Hadroh di Mi Ma'arif Giriloyo 1 Imogiri Bantul. Al-Bidayah: Jurnal Pendidikan Dasar Islam, 9(1), 101-110. https://doi.org/10.14421/al-bidayah.v9i1.112

Sugiyono. (2012). Memahami Penelitian Kualitatif. Bandung: Alfabeta.

Wekke, I. S. (2013). ISLAM DI PAPUA BARAT: TRADISI DAN KEBERAGAMAN. ULUL ALBAB Jurnal Studi Islam, 14(2), 117. https://doi.org/10.18860/ua.v14i2.2652

Wekke, I. S., & Sari, Y. R. (2012). Tifa Syawat and Da'wah Entities in Islamic Culture: A Study of the Kokoda Tribe in Sorong, West Papua. THAQAFIYYAT: Jurnal Bahasa, Peradaban, Dan Informasi Islam, 13(1), 163-186. https://doi.org/https://doi.org/10.31219/osf.io/xwpnv

Downloads

Published

2023-01-30

Issue

Vol. 6 No. 2 (2023)

Section

Articles

License

Copyright Statement

1. Author(s)'s Warranties

The author warrants that the article is original, written by the stated author(s), has not been published before, contains no unlawful statements, does not infringe the rights of others, is subject to copyright that is vested exclusively in the author, and free of any third-party rights, and that any necessary written permissions to quote from other sources have been obtained by the author(s).

2. Right of Authors

JUSPI allows the author(s) to hold the copyright. Authors retain all their rights to the published works, such as (but not limited to) the following rights:

  • Reproduce the work.
  • Prepare derivative works based on the work.
  • Distribute copies of the work.
  • Perform the work publicly.
  • Display the work publicly.
  • Copyright and other proprietary rights relating to the article, such as patent rights.
  • The right to self-archive the article (please read our Repository Policy).
  • The right to enter separate, additional contractual arrangements for the non-exclusive distribution of the article's published version (e.g., post it to an institutional repository or publish it in a book), with an acknowledgment of its initial publication in this journal (JUSPI).

3. Co-Authorship

If the article was jointly prepared by other authors, any author submitting the manuscript warrants that he/she has been authorized by all co-authors to be agreed on this copyright and license notice (agreement) on their behalf and agrees to inform his/her co-authors of the terms of this policy. JUSPI will not be held liable for anything that may arise due to the author(s) internal dispute. JUSPI will only communicate with the corresponding author.

4. Royalties

This agreement entitles the author to no royalties or other fees. To such extent as legally permissible, the author waives his or her right to collect royalties relative to the article in respect of any use of the article by JUSPI.

5. User/Public Right

JUSPI's spirit is to disseminate articles published as free as possible. Under the Creative Commons Attribution 4.0 International License, JUSPI permits users to share, copy, redistribute, display, and perform the material in any medium or format. Adapt, remix, transform, and build upon the material for any purpose, even commercially. Users will also need to attribute authors and JUSPI to distributing works in the journal and other media of publication.

License

Creative Commons License

This work is licensed under a Creative Commons Attribution 4.0 International License.